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Adi Shakti, Namo Namah
Sarab Shakti, Namo Namah
Prithum Bhagvati, Namo Namah
Kundalini Mata Shakti
Mata Shakti, Namo Namah

Primal Shakti, I bow to thee
All-encompassing Shakti,I bow to thee
That through which God creates, I bow to thee
Creative power of the Kundalini
Mother of all, to thee I bow.

Music by Ashwin Sanghi, Ameya Naik, Kushal Gopalka; Album: Chanakya’s Chant ; Canción: CHANAKYA’S CHANT.  http://www.jamendo.com/es/album/79857 Licencia CC.

The year is 340 BC. A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, cunning, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire. History knows him as the brilliant strategist Chanakya.

But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman. Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again?

This is the musical rendition of the Shakti chant that forms the core of Ashwin Sanghi’s novel. The studio recording of “Chanakya‘s Chant” is composed by Ameya Naik and sung by Kushal Gopalka.